Film and Screen Media offers a full suite of highly regarded graduate degrees: taught MA, MRes, and two PhD programmes – the PhD in Film and Screen Media and the PhD in Film and Screen Media (Creative Practice). The Department hosts a thriving graduate studies community: our students are exposed to a rich and stimulating research environment and to a range of disciplinary and interdisciplinary opportunities including conferences, research seminars and master classes with artists and professionals.
Our doctoral students and postdoctoral researchers avail of many opportunities to develop both discipline-specific and transferable skills. Working with leading academics in their areas of expertise, they are trained in editorial skills through their membership of the board of Alphaville: Journal of Film and Screen Media. They also regularly participate in conference and event organisation, and avail of our state-of-the-art facilities for the teaching and learning of film – including a digital cinema and two editing labs fully equipped with the latest versions of industry-standard software tools.
Our graduate students and postdoctoral researchers have been repeatedly successful in securing highly competitive funding including Government of Ireland awards. You can read more about our current students and researchers below:
Davide Abbatescianni is a PhD candidate in Film and Screen Media at University College Cork, where he holds an Excellence Doctoral Scholarship. His research project, supervised by Prof Laura Rascaroli and Dr Barry Monahan, is entitled Young Filmmakers in the Time of the Great Recession: A Focus on the Irish and Italian Film Industries and comprises an academic dissertation and the making of a feature documentary. He holds a Professional Diploma in Stage Directing (International Theatre Academy of the Adriatic), a BA in Communication Studies (University of Bari Aldo Moro) and an MA in Documentary Film Directing (Tallinn University Baltic Film, Media, Arts, and Communication School). His research interests principally focus on European cinema, the European film industry, creative practice and the documentary film. He currently works as a foreign correspondent for the EU-funded film magazine Cineuropa. He is also a film practitioner active as a director and assistant director.
Supervisors: Prof. Laura Rascaroli and Dr Barry Monahan
Title of PhD thesis: Young Filmmakers in the Time of the Great Recession: A Focus on the Irish and Italian Film Industries
Summary: Abbatescianni's doctoral project, comprising the completion of a written dissertation and the making of a documentary feature film, investigates the effects of the Great Recession on the European film industries, focusing in particular on the work and career prospects of young filmmakers today. The project, which takes the Irish and Italian film industries as case studies, explores what financial solutions have been found by debutant filmmakers to produce and distribute their films, and whether these have influenced their artistic output and left visible traces in their works, through aesthetic, technical or narrative choices. Particular attention is also paid to how the concept of crisis itself has shaped their work. The theoretical and analytical study is accompanied by a related practical fieldwork, using the interview as a research methodology. Through their testimonies, young filmmakers narrate their experiences and offer indispensable qualitative insights.
Loretta Goff is an Irish Research Council PhD candidate in Film and Screen Media at the University College Cork, where she also teaches. Her work has featured in Persona Studies, The Irish Journal of Gothic and Horror Studies, Estudios Irlandeses, and Film Ireland. She is a member of Alphaville’s Editorial Board and current Editor-in-Chief of Aigne. Goff has organised a number of national and international conferences in the areas of Film, Literature and Irish Studies at University College Cork, and is currently working on a book project examining paradigm changes and emerging practices in the film industry. Her research interests principally focus on film and identity, genre, stardom and contemporary representations of Irish America.
Supervisor: Dr Barry Monahan
Title of PhD thesis: Hyphenating Ireland and America: Examining the Construction of Contemporary Hybrid Identities in Film and Screen Media
Summary: My thesis interrogates the role of the hyphen in the contemporary (1990–) Irish-American identity and the relationship between Ireland and America across three areas: stardom, production and genre film. I use the performance spaces of film and screen media as platforms on which to lay bare the protean and constructed nature of identity, and to show that hyphenation is an on-going and elemental manifestation of this process. I argue that the hyphen in the Irish-American identity can act as a reference point for the problematic construction of identity generally, and expose the ideology and controlled mediation core to its formation. To do this, I examine the flexible use-value of Irish-American identity as performed by celebrities and apply the concept of hyphenated identity to film by looking at Ireland as an American location, the role of film tourism, and how instances of cultural blending in the production of Irish film (i.e. American co-production, stars, and marketing) often result in films being placed in a contested space outside of what is considered ‘pure’ national cinema. Finally, I demonstrate how key signifiers in the Irish and American relationship are used within genre conventions to conservatively suggest that the rejection of one cultural identity is necessary to take up another.
Michael Holly is a PhD candidate in Film and Screen Media at University College Cork, where he is developing a practice-based study on participatory documentary filmmaking. He holds a MA in Visual Arts Practice from Dún Laoghaire Institute of Art, Design and Technology. Michael has exhibited widely as a video, sound and installation artist, in parafictional and documentary investigations into cultural, national and local identities. His research interests focus on the intersection of contemporary art and documentary film, new technologies and strategies in participatory filmmaking, and representations of the GAA as a cultural institution in contemporary documentary film.
Supervisor: Prof. Laura Rascaroli
Title of PhD Thesis: Performative Feedback Filmmaking: Participatory Documentary and Creative Self-Representation in the Community
Summary: The aim of my practice-based PhD project is to explore the use of participatory filmmaking combined with contemporary art methodologies towards an advanced understanding of issues that underline contemporary documentary. Taking ethnographic filmmaking methodologies as a starting point, and employing strategies from participatory art and installation art, I am developing a series of documentary film installations in collaboration with a rural GAA club. Scholarship on identity, ethics and subjectivity in documentary form a theoretical base for my project. My research explores the use of feedback, cultural immersion, portable video technologies and immersive video installation in the revealing of embodied, collaborative knowledge as a tool for community empowerment.
James Mulvey is a PhD candidate in Film and Screen Media at the University College Cork, where he also teaches. His work has featured in Alphaville: Journal of Film and Screen Media and CinEireann, as well as in national media such as The Irish Examiner and The Irish Independent. James is the international features and documentary programmer for IndieCork Film Festival, and has taught film festival theory at the university. His research interests include art cinema as a tool of social and political critique, European art cinema and film-philosophy. He is a member of the editorial board of Alphaville: Journal of Film and Screen Media.
Supervisor: Prof. Laura Rascaroli
Title of PhD thesis: Art Cinema in the Age of Globalisation: Locating an Aesthetic of Violence
Summary: Located within the field of contemporary art cinema and adopting a film-philosophy methodology, my research proffers a new methodological understanding of the modified position of art cinema today, by identifying the violent impact globalisation is having on “being in the world”, and rescuing art cinema from recent accusations of elitism and irrelevancy. Applying conceptual tools developed by Gilles Deleuze and Félix Guattari, my research explores the commonality found in the images of art cinema — the violence impressed upon people and communities by governing institutions. My approach offers a renewed and sustainable perspective for critical analysis for a global art cinema, rescuing it from current methodological limitations, which culturally disempower art cinema as highbrow or inaccessible. Finally, this film-philosophical study of violence forces new broader disciplinary questions and, consequently, engages with already-embedded questions in the areas of genre and identity politics.
Daniel O’Connell is Practitioner in Residence in the Department of Film and Screen Media at University College Cork. He has earned an MRes in Film and Screen Media, with a thesis titled Body Horror Revisted: A New Wave of Body Horror Films Directed by Women under the supervision of Dr Gwenda Young. He has recently collaborated with Dr Gwenda Young on a Creative Ireland/UCC funded project titled “Movie Memories”, which explored memories of cinemagoers in rural areas of Cork, Ireland. He has over twenty years of experience as a creative practitioner and is an award-winning filmmaker of short and feature length films and documentaries, which have been screened at film festivals both locally and internationally. He is a Director at SUPEREGO, a high-quality video production company with large multinational clients and a founding member of egomotion.net, an online filmmaking hub with over four hundred members, where filmmakers can share knowledge and resources and participate in each other's projects. Egomotion has also hosted various screenings, workshops and meet-and-greets in order to promote local filmmaking talent.
Supervisor: Dr Gwenda Young, Advisor: Dr Ciara Chambers.
Title of PhD thesis: New Social Experiences of Irish Film Exhibition: The Changing Shape of Film Exhibition in Ireland From 2010 to the Present Day.
Summary: The central purpose of the thesis is to examine the efforts being made to lure audiences back to the cinema in Ireland since 2010, and to explore whether alternative film exhibition practices provide fruitful avenues for audiences to return to more social and visceral cinema-going experiences. The proposed project combines theoretical and historical analysis with a creative practice portfolio, comprising of four short documentaries on a number of exhibition experiences.
Originally from Dungarvan, Co. Waterford, Nicholas O’Riordan graduated with a BA in English and Geography in University College Cork in 2010, he went on to complete an MA in Film Studies at UCC where he completed a thesis titled Dublin’s Fair City?: Representations of Dublin City in Contemporary Irish Film under the supervision of Dr Barry Monahan. O’Riordan’s research interests include Irish cinema, national cinemas, film theory, socio-linguistics and representations of group identity in film. His writing has featured in Film Ireland and in the edited collection Ireland and Cinema: Culture and Contexts (2015). He has co-organised international film conferences and co-edited for Alphaville Journal of Film and Screen Media. He also works as a filmmaker.
Supervisor: Dr Barry Monahan
Title of PhD thesis: Inflections and Representations of Accents in Irish Cinema
Summary: Against a history of politicisation of the Irish language, and the more recent politicisation of Irish accents in contemporary culture, this thesis questions the representations and receptions of Irish accents in recent cinema. Focusing on a range of contemporary Irish films, this thesis examines the ‘mis-representation’ of Irish accents on screen, as well as the position of accent as a marker of identity against a backdrop of Celtic Tiger/Post-Celtic Tiger Ireland.
Humberto Saldanha is an Irish Research Council (IRC) Postgraduate Scholar and a PhD candidate in Film and Screen Media at University College Cork, where he is developing a study of the cosmopolitan aspect of contemporary Brazilian cinema. He completed a BA in Communication Studies and an MRes in Communication and Contemporary Culture at Universidade Federal da Bahia (UFBA), Brazil. His research interests include world cinemas, cosmopolitanism, cinema and the (post)nation, Brazilian cinema, film festivals and sites of film circulation and distribution. He is a member of the editorial board of Alphaville: Journal of Film and Screen Media, for which he recently co-edited a special issue on cosmopolitanism and cinema.
Supervisor: Prof. Laura Rascaroli
Title of PhD thesis: The Cosmopolitanism of Contemporary Global Cinema: Strategies of Internationalisation in Brazilian Cinema Today
Summary: My research aims to understand the processes of internationalisation of contemporary cinemas outside Hollywood, and their development of distinctive patterns of style and national representation appealing to non-domestic audiences, within a conflicted context of transnational encounters, consumption of ethnicity and hostility to the different other. The aims will be achieved by adopting cosmopolitanism as a methodological framework and by studying the circulation of recent Brazilian productions at international arenas of film appreciation and consumption. Understanding cosmopolitanism as an approach that implies an aesthetic openness to foreign cultures, it will be possible to investigate how Brazilian cinema negotiates its otherness and cultural difference as a manner to engage with foreign audiences.
Caroline V. Schroeter
Caroline V. Schroeter is a PhD candidate and recipient of the University College Cork Celtic Studies, Arts and Social Studies PhD Excellency Scholarship. Her upcoming publications are entitled “From Griffith to Parker: Constructing and reconstructing race and the history of the US South in The Birth of a Nation (1915–2016)” in Southern History on Screen: Race and Rights, 1976-2016 (Kentucky UP) and “Racism and Slavery in the 16th, 17th, and 18th centuries” in Race and Ethnicity in the United States: From Pre-contact to the Present (Greenwood Imprint). Caroline’s research focuses on North American literature and film, slavery, African-American cinema, intertextuality, adaptation, audience reception, representation of race, gender and identity. She is the Editor-in-Chief for Aigne Journal and an Editorial Board member of Alphaville: Journal of Film and Screen Media. Caroline has organised several national and international conferences for the Irish Association for American Studies, Alphaville: Journal of Film and Screen Media and University College Cork.
Supervisors: Dr Gwenda Young and Prof. Lee Jenkins
Title of PhD thesis: The Mediatisation of the Slave Experience – From Page to Screen
Summary: This thesis explores the representation of the African-American slave experience in cinema from 1915 to the present, including the representation of slavery, gender, identity and race on screen. The main argument draws on Henry Louis Gates’ theory of “Signifyin(g)” and considers theories on race, representation and intertextuality. While original slave narratives were verbal/written, cinematic evolutions are audio-visual, influencing both form and content, allowing the audience to literally ‘see’ through the eyes of the enslaved. This analysis incorporates contemporary films, such as The Birth of a Nation (Parker, 2016), 12 Years a Slave (McQueen, 2013), Django Unchained (Tarantino, 2012), which offer rich multi-layered visual imaginings of the slave narrative and have yet to be fully examined. Using a transmedia analysis, cinematic slave narratives are positioned in the context of a recurring social phenomenon – a modern reflection and contemporary equivalent of the 20th century Civil Rights Movement and 19th century abolitionism. The significance of the conversation which this research initiates bears increased relevance in light of the global political and social milieu of the 21st century. The scope and interdisciplinary breadth of this dissertation make a vital addition to current slave narrative and slavery scholarship, refining our understanding of these narratives and their persistent relevance as commemorations of the black experience and as commentaries on slavery and its present-day legacy.