hosted by Department of French UCC and the CASiLaC research cluster Conflict, Gender and Violence
3-4pm: Nicoletta Mandolini, Department of Italian:
‘Hypergendered Victims and Genderless Perpetrators: Journalistic Representations of Feminicide in Italy'
4-5pm: Caroline Williamson, Department of French:
‘What is really unspeakable? Gendered editorial interventions in Rwandan genocide testimonies’
26-27 September 2016 International workshop organised by Caroline Williamson (Department of French, UCC). ‘On Pandering to a Western Readership: Building a Network around Activist Translation’. O'Rahilly Building, CACSSS Seminar Room (G27). An Irish Research Council New Foundations Project
October 14-16 Department of French hosts Annual Conference of the Association des Études Françaises et Francophones d’Irlande (ADEFFI). This year’s theme is ‘Obéissance’ and the conference will see delegates from Canada, France, Ireland, Italy, Lebanon, Romania, Spain, Tunisia, the UK and the US.
November 10. Research Seminar. Patrick O’Donovan (Department of French, UCC), ‘Certeau’s landscapes: the image and the agency of form’. ORB 1.24, 17.00.
November 23. Guest Lecture. Olivia Walsh (University of Nottingham), ‘Linguistic Purism in France and Quebec’. Elect Eng. L1, 11.00. Co-hosted with BA World Languages.
November 24. Research Seminar. Patrick Crowley (Department of French, UCC), ‘The Conflict of Memories: the National Museum of the History of Immigration, Palais de la Porte Dorée, Paris’. ORB. 1.24, 17.00. Co-hosted with the CASiLaC Memory Studies Cluster and ISS21 Migration and Integration Research Cluster.
December 8. Research Seminar. Margot Spencer (Department of French, UCC), ‘Increasing Language Diversity in Ireland and its Impact on the Translation Professions: the 2011 Census’. ORB. 1.24, 17.00
Tuesday February 21, Kate Hodgson (Department of French): Screening of the film Belle Ville, winner of the ‘Best World Short’ award at IndieCork 2016, followed by discussion via Skype with Franco-Korean director Jung Wonhee. 2.30-4pm, Boole 5. In partnership with the ISS21 Migration and Integration research cluster.
Monday March 6, Film Masterclass with Yann Arthus-Bertrand 4-6pm in ORB G27 in partnership with the Cork French Film Festival.
Wednesday March 8, Azouz Begag (Writer, Politician, Sociologist and former delegate French Minister for Equal Opportunities) 5pm in Elect Eng. L1 (title tbc)
Wednesday 8 March, Professor Stef Craps (Ghent University): ‘The Trouble with Trauma’ at 6pm in partnership with the CASiLaC research cluster on Violence, Conflict and Gender.
Thursday March 23, Professor Celia Britton (University College London): ‘Sexuality and Racial Politics in Maryse Condé’s La Belle Créole'. ORB 1.24, 16.30,.
Thursday March 30, Matthieu Saladin (Université de Paris 8 and practitioner): ‘La capture de l'inaudible’, ORB, 1.24, 16.30,.
CASiLaC Research Forum, Paul Hegarty (Department of French),‘Foucault and War’ORB 1.24 16. 30, January 14, 2015
Professor Christophe Gillissen, Université de Caen, ‘Vers une histoire de la laïcité’, , Kane AL 19, 11.00, January 15.
Dr David Keane, (Middlesex University), ‘Cartoons, Comics and Human Rights after the Charlie-Hebdo Massacre’ Chair / Discussant: Dr Patrick Crowley, Department of French, CACSSS Seminar Room G27, (Ground floor) O’Rahilly Building, Monday January 19, 12.30-2pm. Organised in conjunction with the Centre for Criminal Justice and Human Rights, School of Law, UCC.
‘Guy Debord, Diagrams of Revolution’. An exhibition on Guy Debord organised in conjunction with the UCC Library across February and March 2015. This event will involve colleagues from the BNF and further collaboration with the Triskel Arts Centre and the Cork French Film Festival. The event opens on February 4 in the Foyer of UCC Library. A range of films on, and by, Debord will be shown. Experimental, sometimes shocking, always provocative, these films are rarely screened. This exhibition will allow many to view these for the first time. La Société du Spectacle will be screened as part of the Cork French Film Festival on March 5 at 18.00 in the Film Studies Auditorium, Windle Building UCC; Guy Debord. Son art et son temps will be shown at the Christchurch, Triskel Arts Centre (Monday March 2 at 14.45) and this will be followed by a reading of poetry by Alice Debord; on Thursday March 5 there will be a screening of Hurlements en faveur de Sade (13. 00, Sisk Gallery, Glucksman, UCC) and in the same venue and time In girum will be shown on Thursday March 12.
Guy Debord: Diagrams of Revolution: Seminar and Film March 2
10.00am ‘Guy Debord through his archives’. A seminar on Guy Debord by Laurence Le Bras, Dept. of Manuscripts, Bibliothèque nationale de France (BNF), CACSSS Mary Ryan Meeting Room, O’Rahilly Building, University College Cork
14.45pm Guy Debord. Son art et son temps. This film will be shown in the Christchurch, Triskel Arts Centre, and followed by a reading of poetry by Alice Debord. Entry is free.
Guy Debord: Diagrams of Revolution Thursday March 26 UCC Library
12.00am ‘What have we learned from the spectacle of Guy Debord?’ by Carl Williams, Counter Culture expert at Maggs Bros., one of London’s oldest and most important antiquarian booksellers., Library Board Room, UCC Library, University College Cork (
14.30pm ‘1968, Guy Debord and all that’, a response to Guy Debord: Diagrams of Revolution at UCC Library by Danny Morrison, Belfast writer, critic and commentator. Library Learning Zone, UCC Library, University College Cork.
Caroline Williamson (Department of French) ‘Gender, identity and posttraumatic growth in Rwanda: A new reading of trauma’ Research Seminar, ORB 1.24 March 23, 16.00
Mary Noonan (Department of French) and Martín Veiga (Department of Hispanic Studies), ‘Poetry: what gets lost in translation.’ A round table discussion on the art of translating poetry, followed by readings.
Sarah Hayden (IRC Postdoctoral Fellow, Department of English) ‘Translating Céline Arnauld (This is not a recovery project)’
Niamh Sweeney (Department of French), 'Fictitious Capital': Proudhon, Ferry and the (un)making of Second-Empire Paris’
Other speakers and events to be confirmed.
Angela Ryan (Department of French) Medea Today/Médée, aujourd’hui, featuring Fiona Shaw CBE, Council Room, 14. 30, 5 September. Contact firstname.lastname@example.org. http://www.fabula.org/actualites/medea-today-medee-aujourd-hui_64113.php.
Diana Knight (Professor of French, University of Nottingham), 'Midlife crises and the conversion narrative of Barthes's Vita Nova', ORB, 1.24, 4. 30, September 18
Mary Noonan, launch of Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude (Oxford: Legenda, 2014), Social Area, Outside ORB 202, Second Floor, O’Rahilly Building.Wine reception – all welcome. http://www.ucc.ie/en/french/news/fullstory-495831-en.html
‘Stage Presence: Marguerite Duras and the Theatre’. A major international conference on Duras’s contribution to theatre, 21-22 November 2014.Contact email@example.com
Table ronde autour de Patrick Modiano Nobel Laureate for Literature 2014. Professor Patrick O’Donovan (Department of French) will begin the discussion with a brief presentation — ‘“Il était temps”: Modiano’s project’ and this will be followed by an informal discussion on Modiano’s work: how it intersects with our research, our interests, our teaching. ORB 1.24 Wednesday December 10 @ 10. 30.
Modern and contemporary French literature, postcolonial francophone studies; French historiography; critical theory
Dr Paul Hegarty
Theory; visual culture; modernism; eighteenth-century and twentieth-century thought
Postcolonial Francophone literature and culture, the Caribbean, travel writing, slavery and abolition, history, memory and commemoration.
Dr Martin Howard
Second language acquisition; variationist sociolinguistics; French language; applied linguistics; language pedagogy
Dr Mary Noonan
Modern and contemporary French theatre; voice and the auditory; performance theory; French feminist theory; psychoanalysis
Professor Patrick O'Donovan
Modern and contemporary French literature; history of ideas; modern critical theory; linguistics and literature
Dr Angela Ryan
French and comparative literature and thought; psychoanalysis and philosophy applied to literature; myth and subjectivity; theory, especially Barthes, Bourdieu, Compagnon; art history; traductology; women and the media; the rhetoric of the body (especially in the works of Cixous, Kristéva, Belghoul); myth, representation and memetics of the tragic heroine, especially in 5th century Greek, 17th century French and late 20th century tragedy. Irish Research Council for the Humanities and Social Sciences (IRCHSS) Government of Ireland Senior Research Fellow 2003-2004, for research on the tragic heroine in fifth-century BCE Greek, seventeenth-century French and contemporary drama.
Psychological trauma, women and gender issues, post-colonial identity and post-traumatic growth and recovery in Africa
Toleration and pluralism in absolutist France: a historical and critical commentary of Pierre Bayle’s France Toute Catholique.
An examination of Pierre Bayle’s France Toute Catholique (1686) as a response to the Revocation of the Edict of Nantes, consisting of a contextual analysis of the religious debate, concomitant intellectual developments, and a discussion of Bayle’s rhetorical organisation. This will be accompanied by an annotated translation of Bayle’s text.
Language Policy and Planning and Immigration of Allophones to Canada and Québec.
The project's central aim is to analyse the position of Allophones in Canada generally with specific reference to their sociolinguistic integration within Québec. Chinese and Italian immigrants are the main focus as they represent the two largest linguistic groups within the Allophone community.
Dans le prisme de la belgitude: l’analyse des espaces poétiques chez Verhaeren et Brel
This thesis analyses the formation of poetic space in the works of the Belgian poet Émile Verhaeren (1855-1916) and the chansonnier Jacques Brel (1929-1978). In doing so the focus of my research is on the specificity of the Belgian context and the ways in which Verhaeren and Brel are influenced by, engage with, and conceptualise its historical, social, cultural and linguistic characteristics. Placing particular emphasis on myth and intertext, I argue that both poet and chansonnier contribute to the formation of the Belgian literary canon.
Resonances of the Radical
My research concerns the multifarious means by which European avant-garde movements reconstructed concepts of the art world for the twentieth century and explores the ideological and formal influences of these revolutions upon the depictions of creativity, the artist and the art world in the work of Mina Loy.
The Celtic background of the Tristan legend: the case of Tochmarc Emire
This project aims to examine the link between the Middle Irish tale Tochmarc Emire ("The Wooing of Emer") and the twelfth-century Tristan poems of Béroul and Thomas of Britain. I am particularly interested in the motif of the Dragon Slayer which we find in both both tales and am going to investigate what implications this connection might have for our understanding of medieval European literature.
Nathalie de Thibault
Research on Colette's influence on Anglophone writers, such as Virginia Woolf, and comparisons in their work
This comparative research project will be looking at some anglophone writers namely Virginia Woolf (1882–1941) who have been influenced by the work of Colette (1873–1954). It will explore topics such as of insanity, food disorders and great achievements. The point of departure is Colette’s capacity to capture the sensory qualities of life and understand people's inner thoughts and desires.
A Problematic Approach to the Methodology of Court and Community Interpreting in the Context of Recent Demographic Shift in Ireland
This research project aims to produce a set of ameliorative policy and methodology elements and strategies for delivery of training to meet the needs of the growing area of Court and Community Interpreting in an increasingly diversified Irish society. This developing area, in addition to being a core social need, is an area of significant potential employment for languages graduates, given the right upskilling.
This PhD is a study of the tragic heroine in Euripides’ Hippolytus, Kochanowski’s The Dismissal of the Greek Envoys and Racine’s Phèdre et Hippolyte, using an aesthetic model drawn from Aristotle’s Poetics and Kant’s Critique of Aesthetic Judgement, and working from Angela Ryan’s scholarship in Heroism Studies.
As Others See Us: The French 'Grand Reporter' on the island of Ireland in the 20th century
For well over a hundred years, news stories written by special correspondent, known as a 'grand reporter, from and about Ireland have featured heavily in the pages of French newspapers and periodicals. This research project analyses the unique relationship that exists between Ireland and France through the work of a broad range of French journalists who visited Ireland in the 20th century to report on specific events for the French press.
Jeanna Ni Riordain
The contribution of Victor Hugo to the liberation, emancipation, and changing perceptions of women in 19th century French society.
My thesis is exploring the ways in which Victor Hugo contributed to the liberation, emancipation, and changing perceptions of women in 19th century French society both through his active involvement in the movement for womens’ rights in 19th century France and through his diverse, dynamic, and multi-faceted representations of women in his literary and artistic works. While revealing the depth and extent of Hugo’s feminism, I also hope to reveal the inherent ambiguities, inconsistencies, and complexities of Hugo’s treatment of women.
Mary Louise Edwards
Sartre and Flaubert
For my thesis I intend to explore the literary dialogue between Sartre, one of the most influential philosophers of the twentieth century, and Flaubert; nineteenth century novelist and author of Madame Bovary. In doing so, I hope to identify the nature of the influence of the novelist on the mature philosopher.
The Sartre reader cannot but notice that Flaubert’s name constantly crops up in the unlikeliest of places. By elucidating the relationship between Sartre’s existentialism and Flaubert’s literature, I hope to demonstrate how the reading of Flaubert’s literature had a formative effect on both the man and the writer that Sartre became.