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BA Third Arts

Third Arts

Our final-year programme is challenging and rewarding. It is designed to bring your knowledge and skills in the subject to a higher level, building on the foundations laid in the first and second years of the BA. Students in the 30- or 40-Credit Subject take two core modules that focus on broad questions within the discipline: HA3015 examines major matters relating to method, theory, and approach in Art History, while HA3029 investigates art and gender from the Renaissance to the present. The elective modules — HA3031, HA3033, HA3034, HA3035, HA3036 and HA3037 — offer the freedom to shape your final-year programme to suit your individual interests and to investigate particular issues in the context of a skill-based, small-group learning environment.
 
For the three credit pathways on offer, see the Academic Programme Catalogue.
 
Dr Flavio Boggi, Third-Arts Convenor.

HA3015 Approaches to the History of Art

Coordinator: Dr  Sabine Kriebel
Semester 1: Thursday, 09:00-10:00 and 15:00-16:00
Location: Boole 5 (09:00-10:00) and Connolly Building C (15:00-16:00)
 
This module offers a critical introduction to some of the more recent approaches to perception in art history and visual studies.  Moving between the object of analysis and the human subject who analyses, we will explore the context, applications, and interconnections of these interpretive strategies.  Among the thinkers we will discuss are Michel de Certeau, Maurice Merleau-Ponty, Roland Barthes, Louis Althusser, Kaja Silverman, Laura Mulvey, Judith Butler, and Brian Massumi. Although lectures will extrapolate upon a given theme, this is a text-based core module that requires active participation from students, including critical reading, class participation, and group discussion.  More

HA3029 Art & Gender Identities

Coordinator: Dr  Mary Kelly
Semester 2: Thursday, 09:00-10:00 and 15:00-16:00
Location: O'Rahilly Building 123 (09:00-10:00) and O'Rahilly Building 255 (15:00-16:00)
 
In 2024/5, this module explores global women’s art and gender theories from the Renaissance to the present day. It examines the various ways that artists have used their work to question and criticise the relationships between gender and society. The module involves sustained visual analysis, as well as a critical engagement with both primary and secondary texts.  More

HA3031 Global Artistic Interventions: (RE)Making Identities After 1945

Coordinator: Dr  Mary Kelly
Semester 2: Thursday, 11:00-13:00
Location: Student Hub G12
 
This module explores global art history and theories from 1945 to the present. Via a series of specific case studies, we will investigate the concept of the ‘artistic intervention’ and its shifting agenda as it crosses time, cultures, traditions and geographical borders. Drawing on works of key theorists, we will explore discourses surrounding specific artists and scrutinise the social purpose of their works—considering important themes such as identity, human rights, self-agency, the body, space, nation, heritage and memory.  More

HA3033 Themes in Modern Art

Coordinator: Dr  Sabine Kriebel
Semester 1: Friday, 15:00-17:00
Location: West Wing 5
 
The module examines the art of the Weimar Republic, beginning with Dada and Expressionism in the immediate postwar period and ending with the advent of National Socialism in 1933. We will consider a range of artistic practices and media in their localized historical contexts, including postwar Expressionist film, New Objectivity, the Bauhaus, left-wing photography and photomontage. Among the themes we will consider are capitalist consumer culture and aesthetics, the politics of technological mass reproduction, and representations of gender.  More

HA3034 Visualizing War

Coordinator: Dr  Kylie Thomas
Semester 1: Wednesday, 11:00-13:00
Location: Connolly Building C
 
This module will focus on the ways in which artists and visual activists engage with war and its aftermath. We will consider the history of visual representations of war as well as the documentation of current conflicts and visual interventions that seek to draw attention to them. We will examine works that depict the wounded and the dead in relation to works that employ landscape as metaphor for the trauma of war. We will also consider the relation between violence and memorialisation and modes of experience that remain largely undocumented and invisible. Working closely with this material can be traumatising and this will be something we will discuss as part of the course.  More

HA3035 Roma Caput Mundi: Artists and Patrons in Renaissance Rome

Coordinator: Dr  Flavio Boggi
Semester 1: Thursday, 12:00-14:00
Location: Áras na Laoi G.02
 
This course offers a detailed investigation of the productive relationship between artist and patron in Rome during the fifteenth and early sixteenth centuries. Special attention is devoted to Popes Julius II and Leo X and their interactions with Bramante, Michelangelo and Raphael. Through a sequence of case studies, students will explore crucial debates concerning the transformation of Rome into a magnificent capital, as well as the unique political and social structures that influenced creative activity there.  More

HA3036 Art in Baroque Rome

Coordinator: Dr  Flavio Boggi
Semester 2: Friday, 15:00-17:00
Location: West Wing 5
 
The module offers a detailed exploration of art in Baroque Rome by considering questions of style, theory and production, but also of politics, culture and society. In a series of case studies, we evaluate crucial debates concerning the output of such leading protagonists of painting, sculpture and architecture as Caravaggio, Annibale Carracci, Gianlorenzo Bernini and Francesco Borromini. The context in which the artist worked is also considered, relating it to the urgent priorities of Rome's papacy, ecclesiastical institutions and leading noble families. The module encourages you to think about new art historical definitions of the Baroque age alongside seventeenth-century writings on art.  More

HA3037 Feminist Visual Activism

Coordinator: Dr  Kylie Thomas
Semester 2: Wednesday, 11:00-13:00
Location: Áras na Laoi G.02
 
This module will engage with multiple forms of critical and creative practice that seek to challenge gender inequality and address gender-based violence. The course will provide an introduction to some foundational ideas in feminist theory and will focus in particular on critiques of ‘mainstream’ or liberal western feminism. We will read a series of critical essays by feminist thinkers and will consider works by visual activists, artists, photographers and performance artists from across the world. It is important to be aware that some of the artists whose work we will consider engage with subjects such as slavery; sexual violence; femicide and reproductive rights. Working closely with this material can be traumatising and this will be something we will discuss as part of the course.  More

History of Art

5 Perrott Avenue, University College Cork, CORK, Republic of Ireland.

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