]> The Burden of Itys An electronic edition Oscar Wilde Electronic edition compiled by Margaret Lantry University College, Cork Second draft. Proof corrections by Margaret Lantry Donnchadh Ó Corráin 3910 CELT: Corpus of Electronic Texts: a project of University College, Cork
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 There is not as yet an authoritative edition of Wilde's works. Select editions The writings of Oscar Wilde (London; New York: A. R. Keller & Co. 1907) 15 vols. Robert Ross (ed), The First Collected Edition of the Works of Oscar Wilde (London: Methuen & Co. 1908). 15 vols. Reprinted Dawsons: Pall Mall 1969. Complete works of Oscar Wilde (Glasgow: HarperCollins, 1994). Select bibliography 'Notes for a bibliography of Oscar Wilde', Books and book-plates (A quarterly for collectors) 5, no. 3 (April 1905), 170-183. Karl E. Beckson, The Oscar Wilde encyclopedia (New York: AMS Press 1998). AMS Studies in the nineteenth century 18. Richard Ellmann (ed), The Artist as Critic: Critical Writings of Oscar Wilde (Chicago 1982). Richard Ellmann; John Espey, Oscar Wilde: two approaches: papers read at a Clark Library seminar, April 17, 1976 (Los Angeles: William Andrews Clark Memorial Library, University of California 1977). Richard Ellmann, Oscar Wilde at Oxford: a lecture delivered at the Library of Congress on March 1, 1983 (Washington, DC: Library of Congress 1984). Richard Ellmann, Oscar Wilde: a biography (London: Hamilton 1987). Juliet Gardiner, Oscar Wilde: a life in letters, writings and wit (Dublin: Gill & Macmillan 1995). Frank Harris, Oscar Wilde, including My memories of Oscar Wilde, by George Bernard Shaw and an introductory note by Lyle Blair (London: Robinson, 1992). Rupert Hart-Davis (ed), Selected letters of Oscar Wilde (Oxford: Oxford University Press 1979). Rupert Hart-Davis (ed), More letters of Oscar Wilde (London: Murray 1985). Vyvyan Beresford Holland, Oscar Wilde: a pictorial biography (London: Thames & Hudson 1960). H. Montgomery Hyde, Oscar Wilde: a biography (London: Methuen 1977). Andrew McDonnell, Oscar Wilde at Oxford: an annotated catalogue of Wilde manuscripts and related items at the Bodleian Library, Oxford, including many hitherto unpublished letters, photographs and illustrations (A. McDonnell 1996). Limited edition of 170 copies. Stuart Mason, Bibliography of Oscar Wilde (London: E. G. Richards 1907). Also pubd. New York 1908, London 1914 in 2 vols. Repr. of 1914 edition: New York: Haskell House 1972. E. H. Mikhail, Oscar Wilde: an annotated bibliography of criticism (London: Macmillan 1978). Also pubd. Totowa NJ: Rowman & Littlefield 1978. Thomas A. Mikolyzk, Oscar Wilde: an annotated bibliography (Westport CT: Greenwood Press 1993). Bibliographies and indexes in world literature, 38. Norman Page, An Oscar Wilde chronology (London: Macmillan 1991). Hesketh Pearson, A Life of Oscar Wilde (London 1946). Richard Pine, The thief of reason: Oscar Wilde and modern Ireland (Dublin: Gill & Macmillan 1996). Horst Schroeder, Additions and corrections to Richard Ellmann's Oscar Wilde (Braunschweig: H. Schroeder 1989). The edition used in the digital edition Oscar Wilde The Burden of Itys The Works of Oscar Wilde London Galley Press 1987 720–729

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 By Oscar Wilde (1854–1900). 1881 The text is in English. A phrase is in Latin. literary poetry 19c 2010-09-09 Beatrix Färber ed. Conversion script run; new wordcount made; new SGML and HTML files created. 2009-07-28 Beatrix Färber ed. File updated. 2005-08-25 Julianne Nyhan ed. Normalised language codes and edited langUsage for XML conversion 2005-08-04T14:27:21+0100 Peter Flynn conversion Converted to XML 1997-10-23 Margaret Lantry ed. Text parsed using SGMLS. 1997-10-22 Margaret Lantry ed. Text proofed; structural mark-up improved. 1997-10-22 Margaret Lantry ed. Header created. 1997-10-22 ed. Margaret Lantry Text captured. THE BURDEN OF ITYS This English Thames is holier far than Rome, Those harebells like a sudden flush of sea Breaking across the woodland, with the foam Of meadow-sweet and white anemone To fleck their blue waves,—God is likelier there, Than hidden in that crystal-hearted star the pale monks bear! Those violet-gleaming butterflies that take Yon creamy lily for their pavilion Are monsignores, and where the rushes shake A lazy pike lies basking in the sun His eyes half-shut,—He is some mitred old Bishop in partibus! look at those gaudy scales all green and golds. The wind the restless prisoner of the trees Does well for Palæstrina, one would say The mighty master's hands were on the keys Of the Maria organ, which they play When early on some sapphire Easter morn In a high litter red as blood or sin the Pope is borne From his dark House out to the Balcony Above the bronze gates and the crowded square, Whose very fountains seem for ecstasy To toss their silver lances in the air, And stretching out weak hands to East and West In vain sends peace to peaceless lands, to restless nations rest. Is not yon lingering orange afterglow That stays to vex the moon more fair than all Rome's lordliest pageants! strange, a year ago I knelt before some crimson Cardinal Who bare the Host across the Esquiline, And now—those common poppies in the wheat seem twice as fine. The blue-green beanfields yonder, tremulous With the last shower, sweeter perfume bring Through this cool evening than the odorous Flame-jewelled censers the young deacons swing, When the grey priest unlocks the curtained shrine, And makes God's body from the common fruit of corn and vine. Poor Fra Giovanni bawling at the mass Were out of tune now, for a small brown bird Sings overhead, and through the long cool grass I see that throbbing throat which once I heard On starlit hills of flower-starred Arcady, Once where the white and crescent sand of Salamis meets sea. Sweet is the swallow twittering on the eaves At daybreak, when the mower whets his scythe, And stock-doves murmur, and the milkmaid leaves Her little lonely bed, and carols blithe To see the heavy-lowing cattle wait Stretching their huge and dripping mouths across the farmyard gate. And sweet the hops upon the Kentish leas, And sweet the wind that lifts the new-mown hay, And sweet the fretful swarms of grumbling bees That round and round the linden blossoms play; And sweet the heifer breathing in the stall, And the green bursting figs that hang upon the red-brick wall. And sweet to hear the cuckoo mock the spring While the last violet loiters by the well, And sweet to hear the shepherd Daphnis sing The song of Linus through a sunny dell Of warm Arcadia where the corn is gold And the slight lithe-limbed reapers dance about the wattled fold. And sweet with young Lycoris to recline In some Illyrian valley far away, Where canopied on herbs amaracine We too might waste the summer-trancèd day Matching our reeds in sportive rivalry, While far beneath us frets the troubled purple of the sea. But sweeter far if silver-sandalled foot Of some long-hidden God should ever tread The Nuneham meadows, if with reeded flute Pressed to his lips some Faun might raise his head By the green water-flags, ah! sweet indeed To see the heavenly herdsman call his white-fleeced flock to feed. Then sing to me thou tuneful chorister, Though what thou sing'st be thine own requiem! Tell me thy tale thou hapless chronicler Of thine own tragedies! do not contemn These unfamiliar haunts, this English field, For many a lovely coronal our northern isle can yield Which Grecian meadows know not, many a rose, Which all day long in vales Æolian A lad might seek in vain for over-grows Our hedges like a wanton courtesan Unthrifty of her beauty; lilies too Ilissos never mirrored star our streams, and cockles blue Dot the green wheat which, though they are the signs For swallows going south, would never spread Their azure tents between the Attic vines; Even that little weed of ragged red, Which bids the robin pipe, in Arcady Would be a trespasser, and many an unsung elegy Sleeps in the reeds that fringe our winding Thames Which to awake were sweeter ravishment Than ever Syrinx wept for, diadems Of brown bee-studded orchids which were meant For Cytheræa's brows are hidden here Unknown to Cytheræa, and by yonder pasturing steer There is a tiny yellow daffodil, The butterfly can see it from afar, Although one summer evening's dew could fill Its little cup twice over ere the star Had called the lazy shepherd to his fold And be no prodigal; each leaf is flecked with spotted gold As if Jove's gorgeous leman Danae Hot from his gilded arms had stooped to kiss The trembling petals, or young Mercury Low-flying to the dusky ford of Dis Had with one feather of his pinions Just brushed them!—the slight stem which bears the burden of its suns Is hardly thicker than the gossamer, Or poor Arachne's silver tapestry,— Men say it bloomed upon the sepulchre Of One I sometime worshipped, but to me It seems to bring diviner memories Of faun-loved Heliconian glades and blue nymph-haunted seas, Of an untrodden vale at Tempe where On the clear river's marge Narcissus lies, The tangle of the forest in his hair, The silence of the woodland in his eyes, Wooing that drifting imagery which is No sooner kissed than broken; memories of Salmacis Who is not boy or girl and yet is both, Fed by two fires and unsatisfied Through their excess, each passion being loth For love's own sake to leave the other's side Yet killing love by staying, memories Of Oreads peeping through the leaves of silent moonlit trees, Of lonely Ariadne on the wharf At Naxos, when she saw the treacherous crew Far out at sea, and waved her crimson scarf And called false Theseus back again nor knew That Dionysos on an amber pard Was close behind her, memories of what Mæonia's bard With sightless eyes beheld, the wall of Troy, Queen Helen lying in the carven room, And at her side an amorous red-lipped boy Trimming with dainty hand his helmet's plume, And far away the moil, the shout, the groan, As Hector shielded off the spear and Ajax hurled the stone; Of wingèd Perseus with his flawless sword Cleaving the snaky tresses of the witch, And all those tales imperishably stored In little Grecian urns, freightage more rich Than any gaudy galleon of Spain Bare from the Indies ever! these at least bring back again, For well I know they are not dead at all, The ancient Gods of Grecian poesy, They are asleep, and when they hear thee call Will wake and think 'tis very Thessaly, This Thames the Daulian waters, this cool glade The yellow-irised mead where once young Itys laughed and played. If it was thou dear jasmine-cradled bird Who from the leafy stillness of thy throne Sang to the wondrous boy, until he heard The horn of Atalanta faintly blown Across the Cumner hills, and wandering Through Bagley wood at evening found the Attic poets' spring,— Ah! tiny sober-suited advocate That pleadest for the moon against the day! If thou didst make the shepherd seek his mate On that sweet questing, when Proserpina Forgot it was not Sicily and leant Across the mossy Sandford stile in ravished wonderment,— Light-winged and bright-eyed miracle of the wood! If ever thou didst soothe with melody One of that little clan, that brotherhood Which loved the morning-star of Tuscany More than the perfect sun of Raphael And is immortal, sing to me! for I too love thee well. Sing on! sing on! let the dull world grow young, Let elemental things take form again, And the old shapes of Beauty walk among The simple garths and open crofts, as when The son of Leto bare the willow rod, And the soft sheep and shaggy goats followed the boyish God. Sing on! sing on! and Bacchus will be here Astride upon his gorgeous Indian throne, And over whimpering tigers shake the spear With yellow ivy crowned and gummy cone, While at his side the wanton Bassarid Will throw the lion by the mane and catch the mountain kid! Sing on! and I will wear the leopard skin, And steal the moonèd wings of Ashtaroth, Upon whose icy chariot we could win Cithæron in an hour ere the froth Has overbrimmed the wine-vat or the Faun Ceased from the treading! ay, before the flickering lamp of dawn Has scared the hooting owlet to its nest, And warned the bat to close its filmy vans, Some Mænad girl with vine-leaves on her breast Will filch their beech-nuts from the sleeping Pans So softly that the little nested thrush Will never wake, and then with shrilly laugh and leap will rush Down the green valley where the fallen dew Lies thick beneath the elm and count her store, Till the brown Satyrs in a jolly crew Trample the loosestrife down along the shore, And where their hornèd master sits in state Bring strawberries and bloomy plums upon a wicker crate! Sing on! and soon with passion-wearied face Through the cool leaves Apollo's lad will come, The Tyrian prince his bristled boar will chase Adown the chestnut-copses all a-bloom, And ivory-limbed, grey-eyed, with look of pride, After yon velvet-coated deer the virgin maid will ride. Sing on! and I the dying boy will see Stain with his purple blood the waxen bell That overweighs the jacinth, and to me The wretched Cyprian her woe will tell, And I will kiss her mouth and streaming eyes, And lead her to the myrtle-hidden grove where Adon lies! Cry out aloud on Itys! memory That foster-brother of remorse and pain Drops poison in mine ear,—O to be free, To burn one's old ships! and to launch again Into the white-plumed battle of the waves And fight old Proteus for the spoil of coral-flowered caves! O for Medea with her poppied spell! O for the secret of the Colchian shrine! O for one leaf of that pale asphodel Which binds the tired brows of Proserpine, And sheds such wondrous dews at eve that she Dreams of the fields of Enna, by the far Sicilian sea, Where oft the golden-girdled bee she chased From lily to lily on the level mead, Ere yet her sombre Lord had bid her taste The deadly fruit of that pomegranate seed, Ere the black steeds had harried her away Down to the faint and flowerless land, the sick and sunless day. O for one midnight and as paramour The Venus of the little Melian farm! O that some antique statue for one hour Might wake to passion, and that I could charm The Dawn at Florence from its dumb despair Mix with those mighty limbs and make that giant breast my lair! Sing on! sing on! I would be drunk with life, Drunk with the trampled vintage of my youth, I would forget the wearying wasted strife, The riven veil, the Gorgon eyes of Truth, The prayerless vigil and the cry for prayer, The barren gifts, the lifted arms, the dull insensate air! Sing on! sing on! O feathered Niobe, Thou canst make sorrow beautiful, and steal From joy its sweetest music, not as we Who by dead voiceless silence strive to heal Our too untented wounds, and do but keep Pain barricadoed in our hearts, and murder pillowed sleep. Sing louder yet, why must I still behold The wan white face of that deserted Christ, Whose bleeding hands my hands did once enfold, Whose smitten lips my lips so oft have kissed, And now in mute and marble misery Sits in his lone dishonoured House and weeps, perchance for me? O Memory cast down thy wreathèd shell! Break thy hoarse lute O sad Melpomene! O sorrow, sorrow keep thy cloistered cell Nor dim with tears this limpid Castaly! Cease, cease, sad bird, thou dost the forest wrong To vex its sylvan quiet with such wild impassioned song! Cease, cease, or if 'tis anguish to be dumb Take from the pastoral thrush her simpler air, Whose jocund carelessness doth more become This English woodland than thy keen despair, Ah! cease and let the northwind bear thy lay Back to the rocky hills of Thrace, the stormy Daulian bay. A moment more, the startled leaves had stirred, Endymion would have passed across the mead Moonstruck with love, and this still Thames had heard Pan plash and paddle groping for some reed To lure from her blue cave that Naiad maid Who for such piping listens half in joy and half afraid. A moment more, the waking dove had cooed, The silver daughter of the silver sea With the fond gyves of clinging hands had wooed Her wanton from the chase, and Dryope Had thrust aside the branches of her oak To see the lusty gold-haired lad rein in his snorting yoke. A moment more, the trees had stooped to kiss Pale Daphne just awakening from the swoon Of tremulous laurels, lonely Salmacis Had bared his barren beauty to the moon, And through the vale with sad voluptuous smile Antinous had wandered, the red lotus of the Nile Down leaning from his black and clustering hair To shade those slumberous eyelids' caverned bliss, Or else on yonder grassy slope with bare High-tuniced limbs unravished Artemis Had bade her hounds give tongue, and roused the deer From his green ambuscade with shrill halloo and pricking spear. Lie still, lie still, O passionate heart, lie still! O Melancholy, fold thy raven wing! O sobbing Dryad, from thy hollow hill Come not with such desponded answering! No more thou wingèd Marsyas complain, Apollo loveth not to hear such troubled songs of pain! It was a dream, the glade is tenantless, No soft Ionian laughter moves the air, The Thames creeps on in sluggish leadenness, And from the copse left desolate and bare Fled is young Bacchus with his revelry, Yet still from Nuneham wood there comes that thrilling melody So sad, that one might think a human heart Brake in each separate note, a quality Which music sometimes has, being the Art Which is most nigh to tears and memory; Poor mourning Philomel, what dost thou fear? Thy sister doth not haunt these fields, Pandion is not here, Here is no cruel Lord with murderous blade, No woven web of bloody heraldries, But mossy dells for roving comrades made, Warm valleys where the tired student lies With half-shut book, and many a winding walk Where rustic lovers stray at eve in happy simple talk. The harmless rabbit gambols with its young Across the trampled towing-path, where late A troop of laughing boys in jostling throng Cheered with their noisy cries the racing eight; The gossamer, with ravelled silver threads, Works at its little loom, and from the dusky red-eaved sheds Of the lone Farm a flickering light shines out Where the swinked shepherd drives his bleating flock Back to their wattled sheep-cotes, a faint shout Comes from some Oxford boat at Sandford lock, And starts the moor-hen from the sedgy rill, And the dim lengthening shadows flit like swallows up the hill. The heron passes homeward to the mere, The blue mist creeps among the shivering trees, Gold world by world the silent stars appear, And like a blossom blown before the breeze A white moon drifts across the shimmering sky, Mute arbitress of all thy sad, thy rapturous threnody. She does not heed thee, wherefore should she heed, She knows Endymion is not far away; 'Tis I, 'tis I, whose soul is as the reed Which has no message of its own to play, So pipes another's bidding, it is I, Drifting with every wind on the wide sea of misery. Ah! the brown bird has ceased: one exquisite trill About the sombre woodland seems to cling Dying in music, else the air is still, So still that one might hear the bat's small wing Wander and wheel above the pines, or tell Each tiny dew-drop dripping from the blue-bell's brimming cell. And far away across the lengthening wold, Across the willowy flats and thickets brown, Magdalen's tall tower tipped with tremulous gold Marks the long High Street of the little town, And warns me to return; I must not wait, Hark! 'tis the curfew booming from the bell at Christ Church gate.